Mahabharata – Virat Roop
This is the second time Krishna manifests the Virat Roop, but it is at the most important time in the Mahabharata. The Speech of the Bhagavad Gita, is the moment Krishna comes out from the role of Arjuna’s best friend and reveals Himself as the Supreme God Vishnu with all this expansions and that the circumstances of the war was pure illusion, Maya. Arjuna learned that his grief was useless, it was useless to lament. ”Just accept your duty and fight!”.
When Lord Krishna manifests His Universal Form, the world is no longer the same place, the dimensional planes are confused and one becomes lost in amazement. The secure perimeter of the frame contains and holds back the inconceivable universal form, soothing our fears and leaving us in awe.
£ 1,200.00
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Mahabharata – The Young Hero
£ 150.00 – £ 665.00 BUYThe intense and poignant moment of the death of Abhimanyu. Enemies strongly desired his death and they killed him by deception and betrayal. Surrounded and pierced by innumerable arrows, Abhimanyu stoically fights to his last breath. The young hero’s expected and untimely death enhances his valiant glory.
The artist deliberately seeks to capture the adolescent prowess of the invincible Abhimanyu. Although the body is well shaped and toned, the proportions of the head are slightly larger compared to the body, not unlike the sculpture of David by Michelangelo, thus reflecting the typical physique of a young man not yet in his twenties.
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Mahabharata – O Brother – Bhima and Hanuman
£ 155.00 – £ 780.00 BUYThis is the moment when the two most important epic tales of India entwine. The elder brother Hanuman – the divine monkey, meets the younger Bhima in a singular pastime with a final explosion of affection! Hanuman is Bhima’s half-brother, son of Vayu. He is a great warrior and the very embodiment of devotion to Rama, an incarnation of Krishna.
The wild forest is the timeless context of a scene that sees the aged Hanuman meeting his strong brother Bhima. The artist wanted to play with the unusual proportions of the characters as Bhima describes the creature to be ”the biggest monkey he ever saw.”. You can see by contrast, the endeavour that Bhima is making to move Hanuman’s tail and the lazy tired face of the gigantic monkey almost indifferent to this action. There is for sure a link between the intricate elements of the forest and the intrigue of the whole Mahabharata.
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Mahabharata – Krishna entering Dwarka
£ 145.00 – £ 580.00 BUYAfter His travelling around Bharata Varsa Lord Krishna was routinely coming back to his Kingdom of Dwarka. This painting is a tribute of love to Him manifested in the faces and actions of his citizens. Krishna is named also known as Bhagavan, the One that has all transcendental qualities like beauty, power, strength, wealth, fame and compassion.
Here the return of Lord Krishna aroused enthusiasm and joy in the whole city. You can see that all social classes of the Varna-Ashram Dharma are present on the scene, and despite the differences everyone was present. Everyone showing their love and admiration to their Lord. This is to testify the all including society of that time. The three-quarter composition gives the scene a very wide, almost stereoscopic view.