Mahabharata – Kunti and Draupadi
An intimate simplicity characterises the meeting between Mother Kunti and Draupadi. The painting is devoid of any decorative superfluity. Light is the protagonist of this painting. Taking vantage of the plot in which the Pandavas and their Mother Kunti are in disguise as Brahmanas. They were dressed simply and in white. The white drapery dominates all the lighting, framing the rich black regal sari of Princess Draupadi.
Although Maharaja Draupada’s daughter was elegantly dressed she submits herself to the role of respecting her future mother in law. She was promised to be the wife of the five Pandava brothers, but first she needed to be accepted by their mother!
£ 160.00 – £ 795.00
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Mahabharata – The Young Hero
£ 150.00 – £ 665.00 BUYThe intense and poignant moment of the death of Abhimanyu. Enemies strongly desired his death and they killed him by deception and betrayal. Surrounded and pierced by innumerable arrows, Abhimanyu stoically fights to his last breath. The young hero’s expected and untimely death enhances his valiant glory.
The artist deliberately seeks to capture the adolescent prowess of the invincible Abhimanyu. Although the body is well shaped and toned, the proportions of the head are slightly larger compared to the body, not unlike the sculpture of David by Michelangelo, thus reflecting the typical physique of a young man not yet in his twenties.
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Mahabharata – O Brother – Bhima and Hanuman
£ 155.00 – £ 780.00 BUYThis is the moment when the two most important epic tales of India entwine. The elder brother Hanuman – the divine monkey, meets the younger Bhima in a singular pastime with a final explosion of affection! Hanuman is Bhima’s half-brother, son of Vayu. He is a great warrior and the very embodiment of devotion to Rama, an incarnation of Krishna.
The wild forest is the timeless context of a scene that sees the aged Hanuman meeting his strong brother Bhima. The artist wanted to play with the unusual proportions of the characters as Bhima describes the creature to be ”the biggest monkey he ever saw.”. You can see by contrast, the endeavour that Bhima is making to move Hanuman’s tail and the lazy tired face of the gigantic monkey almost indifferent to this action. There is for sure a link between the intricate elements of the forest and the intrigue of the whole Mahabharata.
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Mahabharata – Krishna in Indraprastha
£ 160.00 – £ 705.00 BUYBefore Indraprastha became the capital of the Pandava’s kingdom, it was the ancient capital of the Kuru clan of which the Pandavas and Kauravas are a part.
At one point in the epic, the Kurus gave the Pandavas a piece of desert land. It had been abandoned for many years and did not look like a place fit to become a capital city. But the Pandavas with the help of Krishna, hard work, determination and skill transformed this wasteland into a beautiful city that would compete with the beauty of Hastinapura, the capital of the empire.
Krishna called upon the heavenly architects Vishvakarma and Mayadhanava, the top designers during that time to transform it into a city fit for the Pandavas. As you can see in the artwork, the architectural accuracy and sophistication made Indraprastha a unique utopia and the perfect example of how cities should be built. Here we can see, in the foreground Maharaj Yudhishthira showing Lord Krishna the great view from the royal palace, as to let us take part in their glance.